Auktioner Johannes Sadeler I (1550–1600) – The Hermit Soerardus in a Hollow Tree – Copperplate engraving (16th Century)

Bilder Johannes Sadeler I (1550–1600) – The Hermit Soerardus in a Hollow Tree – Copperplate engraving (16th Century)

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Johannes Sadeler I (1550–1600) – The Hermit Soerardus in a Hollow Tree – Copperplate engraving (16th Century)

Högsta bud

SEK

Värdering: 300 SEK

Beskrivning

This detailed Mannerist engraving depicts the hermit Soerardus inhabiting a hollowed-out tree trunk in a dense forest. The saint is shown with a long, flowing beard, seated in prayer while wearing heavy chains around his waist and legs. Above his head, a complex mechanical structure featuring a bell and skeletal remains hangs from the interior of the tree. Outside the makeshift dwelling, a small wooden cup and several stones are visible on the ground. The background illustrates a lush woodland with varied foliage and twisting branches, rendered with the fine cross-hatching and technical precision characteristic of the Sadeler workshop. Two lines of Latin verse at the bottom describe the hermit's devotion and his rejection of worldly comforts in favor of spiritual vigilance.

Johannes Sadeler I was a preeminent Flemish engraver and member of the celebrated Sadeler family of artists who dominated the European print market during the late 16th century. Born in Brussels, he became a master in the Antwerp Guild of Saint Luke before traveling extensively through Germany and Italy, eventually settling in Venice. Sadeler was renowned for his technical virtuosity and his role as a court engraver to the Dukes of Bavaria, where he specialized in religious subjects and allegories based on designs by contemporary masters like Marten de Vos. His prolific output played a crucial role in disseminating the artistic styles of the Northern Renaissance and early Mannerism throughout Europe, influencing generations of graphic artists.

Artist or Maker: Johannes Sadeler I

Dimensions: Approximately 23 cm x 29 cm

Medium: Copperplate engraving

Date: 16th Century

Condition Report:
This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

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