Auktioner Sebastian Munster (1488–1552) – Panoramic view of Naples – Woodcut (1550)

Bilder Sebastian Munster (1488–1552) – Panoramic view of Naples – Woodcut (1550)

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Sebastian Munster (1488–1552) – Panoramic view of Naples – Woodcut (1550)

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Beskrivning

Der Koniglichen Statt Neapels Abconterfehung. This woodcut presents a detailed bird eye panoramic view of the coastal city of Naples, Italy. The composition illustrates the city’s dense urban structure nestled against the hills, with prominent landmarks such as Castel S. Martin and Castel de Love clearly identified. In the foreground, the bustling harbor features several large sailing vessels with billowing sails navigating the choppy waters of the bay. A coastal defense tower and figures on the shore are visible to the right. The entire scene is enclosed within an elaborate architectural border featuring grotesque masks, cornucopias, and allegorical figures. Above the frame, a ribbon banner bears the Latin name Napolis. This work is a significant topographical plate from the Cosmographia, published in Basel by Heinrich Petri. This publication was the earliest German language description of the world and remained a fundamental geographical reference for decades.

Sebastian Munster was a German cartographer, cosmographer, and Christian Hebraist who served as a professor at the University of Basel. He is best known for his monumental work, the Cosmographia, which combined geographical maps with historical accounts and detailed regional views based on reports from local correspondents. Munster was a central figure in the development of Renaissance cartography, moving away from purely theological maps toward more empirical and observational representations of the world. His work was highly influential due to its use of high quality woodcut illustrations and its broad accessibility in multiple languages, significantly shaping the European understanding of global and regional geography.

Artist or Maker: Sebastian Munster.

Dimensions: Approximately 36 cm x 44 cm.

Medium: Woodcut.

Date: 1550.

Condition Report:
This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

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