Auktioner Gustav Klimt (1862–1918), after – Seated Woman – Lithograph (20th century)

Bilder Gustav Klimt (1862–1918), after – Seated Woman – Lithograph (20th century)

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Gustav Klimt (1862–1918), after – Seated Woman – Lithograph (20th century)

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Värdering: 400 SEK

Beskrivning

"Seated Woman" This lithograph features a delicate study of a seated female figure, rendered with the highly expressive and fluid lines characteristic of the artist's draftsmanship. The composition captures the subject in an elegant, reclined pose, with a focus on the flowing contours of her garment and the subtle, serene expression on her face. The sketchy, energetic line work provides an intimate glimpse into the artist's observational style. This work was part of a posthumous series of prints produced in Vienna by Gilhofer and Ranschburg shortly after the artist's death.

Gustav Klimt was a leading Austrian Symbolist painter and a founding member of the Vienna Secession movement. He is renowned for his decorative, ornate style and his prominent use of gold leaf during his "Golden Phase," most famously seen in his masterpiece The Kiss. Klimt's work often focused on the female body, blending frank eroticism with sophisticated psychological depth and complex patterns. His extensive body of drawings and preparatory sketches provides a profound insight into his creative process and his dedication to capturing the elegance and vulnerability of his subjects. Klimt's influence on modern art remains significant, as he bridged the gap between traditional nineteenth-century academic art and the avant-garde movements of the twentieth century.

Artist or Maker: Gustav Klimt, after.

Dimensions: Approximately 59 cm x 42 cm.

Medium: Lithograph.

Date: 20th century.

Condition Report:
This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

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